Graphic Content: Breath of Shadows by Rich Douek and Alex Cormack

 

Scott McAdams famously said in his book Understanding Comics that graphic novels were a medium, not a genre. He furthers this distinction by reminding readers that the graphic novel is simply a different medium, like books and television, to tell a story. That said, when graphic novels are used to tell horror stories, there must be two elements considered to fully utilize the graphic medium: the story and the pictures that tell the story. One such example of this is Rich Douek and Alex Cormack’s Breath of Shadows.

Shadows takes place in the 1960’s and Jimmy Meadows seems to have it all. His band The Shades have achieved international stardom, and their latest album just went gold, but Jimmy has a powerful addiction that threatens to ruin his and his bandmates' careers. With his bandmates fed up and Jimmy wanting to live for something other than his next fix, he and his crew travel with a group of explorers into the jungles and lost temples of South America to discover a cure for Jimmy’s addiction. This is definitely a story where the proposed cure could potentially turn out to be worse than the disease.

Much like their previous collaborations Sea of Sorrows and the award-winning Road of Bones, this book shows both writer and artist pooling their talents to create something horrifyingly harmonious. Writer Douek does not portray Jimmy and the other members of his party as likable people. They all have an assortment of addictions and agendas that turn out to be quite self-destructive. That said, readers aren’t really meant to like these people; it’s much more fun to watch a group of jerks walk slowly and steadily into a trap before seeing their horror as they realize that the trap has snapped shut. Artist Cormack shows an affinity for drawing skin-crawling horrors, an adjective that is all too appropriate. The visceral and disconcerting artwork just might have you scratching at your skin as you try to convince yourself there is nothing crawling on or beneath your skin. Douek and Cormack have once again created something more frightening than the sum of its parts and Shadows is recommended for horror lovers who don’t mind squirming in their seats.

Graphic Content: Lamentation by Cullen Bunn and Arjuna Sisini

 One of my favorite writers of horror comics is Cullen Bunn. He’s written for superheroes like the X-Men and Deadpool, but I discovered his work on Harrow County, a book full of folk horror and gruesome haints that happens to be one of my favorite graphic novels. I have checked out his other horror titles and there hasn’t, in my mind, been one that rivals Harrow County. However, Bunn is guaranteed to never be boring or rest on his folk horror laurels. As a writer, he’s always experimenting with horror and graphic storytelling, and one of his more experimental titles is the book Lamentation, illustrated by Arjuna Susini.

Lamentation invites readers to the Requiem Theater, where rehearsals are underway for a performance of Radize’s Lament, a three-act tale of Gothic horror that follows three sisters who seek refuge in a shadowy castle. It could also be Jenifer’s big break, considering she just got the role without even having to audition, but this play is more than just a story of gloomy castles and stormy nights. The story seems to be constantly changing, the director has few answers for Jenifer, and reality itself feels a little suspect. As opening night approaches, the shadow of Radize’s Lament threatens to swallow all involved.

Many have compared Bunn’s story to In the Mouth of Madness and its metafictive approach certainly makes such a comparison apt. Lamentation, however, sticks to a parallel narrative structuring that has readers moving from the story in the play to the story of the performers, seeing the story and getting glimpses behind the curtain. The narrative switches quickly from play with its Gothic spires and haunting figures to performers at a seemingly regular theater, but Susini keeps a consistent quality in both worlds, especially as the boundaries between those worlds fray. Much like Madness, the narrative makes the reader see the horror of being in a story where one can’t control the outcome because the story is already written. The premise alone could trip up readers who aren’t paying close attention, but Bunn is like Willy Wonka on the boat ride, perfectly content to let a few people fall off the boat if the rest of the passengers are terrified.

 

Have You Read This? Silent Key by Laurel Hightower

 

When it comes to combining genres, horror, like chocolate, goes with everything (if you are allergic to chocolate or simply don’t like chocolate, please insert your favorite food into this analogy). Like chocolate, when horror is drizzled onto a story, it becomes something delicious. Drizzle some horror on a western, and you get something like Alex Grecian’s Red Rabbit, drizzle it on comedy, and you get just about any work from Grady Hendrix. There are plenty of examples of genre mashups involving horror, but one that isn’t as prevalent is the action/adventure thriller (think if Stephen King wrote a story with James Patterson or C. J. Box). Laurel Hightower, however, has given readers a near-perfect blend of action/adventure and horror with her pulpy delicious tale Silent Key.

This tale features former Detective Cam Ambrose, who recently lost her husband Tony and discovered he was having an affair. Fearing those responsible may be coming after her and her family, including her young daughter Sammie and her brother/protector Dimi, she heads to Texas to her Uncle Bert’s place. What was an escape from New York turns out to be even more dangerous as there’s something haunting Bert’s place, something Sammie can see, but something that Cam will barely see coming. To save herself and her family, Cam must find out what is haunting them and what secrets her husband was keeping from her.

It might be an oversimplification to say one simply drizzles horror into another genre when sometimes it requires a balance. Too much of one genre creates a constant shifting in tone and atmosphere that dilutes the final product. Hightower, however, has found the proper balance: a suspense-driven thriller that also utilizes haunted house tropes that will genuinely frighten readers. These kinds of thrillers tend to be full of plot elements and characters that propel the narrative at the risk of losing readers, but Hightower maintains the story’s focus throughout, even creating a potential story universe that can be explored in later books. This is why horror is drizzled into these stories and not poured. Like any good chef, Hightower shows the importance of just the right blend of ingredients.

Have You Read This? A Light Most Hateful by Hailey Piper

 

The drive-in is a vanishing part of the cultural landscape, which is rather sad considering the myriad and delightful horrors that once graced their screens. Many people have fond memories of the drive-in, even those who haven’t watched horror movies, but for horror fans, the drive-in conjures thoughts of monsters from the stars like the ones from Joe Lansdale’s magnum opus The Drive-In. It’s fitting, then, that Hailey Piper begins her latest book A Light Most Hateful at a drive-in on the night of a reality-rending storm, but Piper also takes the concept to some original and terrifying places.

This journey into the frightfully fantastic begins in the small town of Chapel Hill, Pennsylvania where Olivia lives after running away from home. She has managed to eke out a life while she deals with small-town boredom and an unrequited crush on her best friend Sunflower. Then a summer storm shows up, bringing more than just thunder and lightning. This storm brings with it the power to bend the will of the people of Chapel Hill to an otherworldly intelligence, even as it transforms the landscape. Olivia now tries to survive the night and rescue Sunflower before the storm and the being it serves wipes Chapel Hill off the map.

This tale’s beginning in the drive-in and what happens to people after the storm approaches makes it feel like a by-the-book but still enjoyable monster movie that would entertain the late night drive-in crowd, but Piper has always excelled at taking her fiction in new and exciting directions that subvert her audience’s expectations. Rather than a simple tale of running and more running from a mob of brainwashed humanity, Piper has crafted a tale that explores the power and limits of friendship, exploring both the bonds that strengthen us and those that hold us back. Without revealing too much of the twist that brilliantly transforms the book as much as an unnatural storm, Piper also explores concepts of identity and the connective threads that are so tenuous yet somehow manage to hold us together. Come for the pseudo-zombies, but stay for the high-concept, mind-bending story.