Becky Spratford has a great blog about readers’ advisory and
horror. Truthfully, her blog serves as an inspiration for my own little shadow
library in cyberspace. Within her blog or when she gives Readers' Advisory talks to other libraries,
she describes horror as thus:
“Horror is a story in which the author manipulates the
reader's emotions by introducing situations in which unexplainable phenomena and
unearthly creatures threaten the protagonists and provoke terror in the reader.”
The underlined part is important because, by limiting her
definition to stories that “provoke terror,” it gets to what many would call a
fundamental experience of reading horror: actually being scared. Many stories,
though, get put in the horror category because they have ghosts or witches even
though they might be romance, suspense, or in this case a return to one of Joe Lansdale’s best stories. Joe Lansdale’s Bubba and the Cosmic Blood-Suckers has
the same comedic tone as his truly excellent short story “Bubba Hotep,” but it
also falls well into the genre of action adventure.
Like many horror/action hybrids, this novel has its share of
vampire-like creatures as well as ghosts and zombies, but it focuses on a
supersecret organization dedicated to protecting America from supernatural
incursions. It almost sounds like Clive Cussler crossed with Stephen King,
except for the fact that one of their greatest assets is the King of Rock N’
Roll himself, Elvis Presley. And there are vampires, but they don’t sparkle,
and they don’t brood. What they do is suck blood until people are pretty much
empty Caprisun containers, still somehow alive but able to be rolled up like a
sleeping bag.
Yes, this novel is an official prequel to one of Lansdale’s
greatest stories—which can be found in The Best of Joe Lansdale, if anyone’s interested. People familiar with the
Oceans movies might recognize the formula of getting a team of individuals
together, each with a specific set of skills, and set them against something,
only this is no casino they’re knocking over but the queen of vampires Big
Momma.
While it doesn’t always have the sweet sentiment of Bubba
Hotep, save for when Elvis talks about his Mama’s soul, used by Colonel Parker
to blackmail Elvis into serving the team, this tale is still an entertaining
blend of Lovecraftian horror, vampire hunting, sorcery, and what many readers
would see in Lansdale’s mystery series Hap and Leonard. You might picture the
narrator simply regaling this story on a back porch, iced tea or beer in hand,
you’ll marvel at the amount of smart one-liners that put many action movies to
shame. In short, you might find the sensibilities of this story to be—I so hope
I’m the first to use this word—Lansdalian. While it might not have you sleeping
with the lights on, it does offer a enjoyable, schlocky adventure for cinephiles
who are nostalgic for ‘70s and ‘80s horror that was more excessive than ethereal
and who love movies that have more explosions than expositions.
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