Kids everywhere are going back to school, and it’s a good
chance that a few of those kids, depending on their locations and/or their
imaginations, will be bored. Bored children will often have their minds wander,
and in their wanderings may stumble onto places that appear bright and lovely
but with a rotten core. Such is the case of Clive Barker’s foray into children’s
literature, The Thief of Always, a
book that seems to be everywhere but in actual libraries.
I’ve been to other libraries, and it seems like The Thief of Always gets no love, or at
least no place on these library shelves. Frankly, the decision mystifies me.
Neil Gaiman’s Coraline can be found
in most libraries and was even a stop-motion movie. It is also very similar to
the plot of The Thief of Always:
child dissatisfied with the real world finds a totally different world that
appears to cater to their desires until that world’s dark underbelly is
discovered. To clarify, I’m not trying to disparage Coraline, a sweet adventure where a child comes to learns what family
truly means to her, but it does seem suspicious that Thief doesn’t get the same accolades. Perhaps it is the fact that Thief was written by the same guy who
gave us demonic entities into BDSM and really
extreme piercing. I can imagine parents balking when having to explain to their
young children why monsters are wearing similar leather and spikes outfits
mommy and daddy have hanging in their bedroom closet.
But The Thief of
Always is a beautifully written magical story that draws the reader into a
fantasy world that rivals Coraline’s. Thief presents the trope we’ve seen in
everything from Hansel and Gretel to Pinocchio
to yes, Coraline, that age-old trope
of being wary of something that’s literally too good to be true. Bored stiff Harvey Swick is brought to Holiday
House where he can enjoy all the seasons in a day, from lazy summer days to
Christmas presents every night. Of course, Harvey Swick soon suspects there is
something wrong with Holiday House. The tale then showcases a coming-of-age
theme as young Harvey tries to take back what Mr. Hood, the mysterious
proprietor of Holiday House, has stolen from him.
Yes, thematically and plot-wise, Coraline and Thief of Always
are very similar to each other, but there are so many movies and books where
kids get taken from the mundane into the magical, from Narnia to Harry Potter.
But what makes Thief stand out, in
particular, is that Harvey does indeed escape the horrors yet still voluntarily
goes back. Granted, life had literally gone on without him, which necessitated
his return, but Harvey could just have easily counted his blessings and simply
stayed very clear of Mr. Hood until he died an old man. However, he goes back
into the darkness, back behind the shadowy curtain, to both confront Mr. Hood
and beat him at his own game. Many horror stories have the protagonist confront
the monster and escape its clutches, leaving the protagonist to deal with the
monster still being out there, merely biding its time, perhaps. There’s also
horror where the protagonist returns to vanquish that monster, to prevent the
evil from harming anyone else. Harvey Swick’s decision not to merely accept
what his life had become after his escape but return to that monster and demand
it gives back what he stole is what truly defines him as a hero instead of a
mere protagonist.
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