Gunfights! Judo throws! Dogs! John Wick is not
only what many cite as a rediscovery of Keanu Reeves (a Keanussance, if you
will), but it also represents a reinvigoration of the action genre. By leaning
into the video-game like gunplay and outlandishly badass characterization, the John Wick series has created a franchise
that can be both a satire and a love letter to the action genre. John Wick 3: Parabellum continues the
trend with a bounty on John Wick’s head, meaning those trying to collect that bounty
will only collect . . . DEATH!
Some people prefer their horror quiet, with
creaking doors and evil whispers, while others like their horror big and loud,
a cacophony of explosions and keening screams. For those that like their horror
as loud as the shootout in Scarface, here are some horror stories that aren’t
afraid to crank the volume all the way up to . . . DEATH!
5) Vampire$
by John Steakley. Fans of the movie might remember James Woods famously asking
a priest if he’s “getting a little mahogany,” but the book the movie was based on
is a fun, hard-boiled exploration of the lives of vampire hunters for hire. These
vampire hunters aren’t in the mold of Van Helsing, even Hugh Jackman’s turn as Van
Helsing seems quaint compared to the hard-drinking, motorcycle-riding,
Church-sanctioned vampire hunters of Steakley’s novel. Rather than go in at
night, nervously clutching crucifixes, these hunters barrel into vampire nests
in broad daylight when the monsters are at their most vulnerable and most
combustible. Leader Jack Crow and his team are very good at their job until an
ambush leaves the team’s ranks decimated. That leaves Jack, with a new team,
looking for revenge and the vampires still out for blood.
4) Little Heaven by Nick Cutter: This 80’s movie in book form begins with a trio of
mercenaries being hired to rescue a woman’s nephew from the religious
settlement called Little Heaven. Things happen, people and not-so-much-people
die, and the mercenaries go their separate ways trying to forget what they’ve
seen in Little Heaven. However, what they failed to kill in Little Heaven still
wants to make their lives a living hell, and these mercenaries must get back
together and finish one last job. No movie of this, but I could see this easily
starring a young Arnold Schwarzenegger featuring a script by Robert Rodruigez.
Finally, Clive Barker comes in to do a little script doctoring, adding a few CC’s
of nightmare fuel to this tale of cosmic horror and good, old-fashioned revenge.
3) Fury from the Tomb by S. A. Sidor: If this were a movie, it would be what would
have happened if John Carpenter got a hold of the Indiana Jones script. If that
had actually happened, Indy would never have survived a nuclear explosion in a
refrigerator because he would have left the franchise screaming before Crystal Skull was even conceived. The
year is 1888 and young Egyptologist Rom is the only survivor of an expedition
that has uncovered a collection of mummies. One mummy in particular is of
particular interest to this expedition’s benefactor, so Rom must transport his
cursed cargo by train, which is then hijacked. Joining with sidekicks ranging
from a dead-eyed Wild West marksman to an orphan Chinese boy, Rom encounters
flesh-eating ghouls, evil monks, and hopping vampires. And then there’s what’s
really in those sarcophagi.
This book is part of the Institute of Singular Antiquities series, the next book being The Beast of Nightfall Lodge.
2) The Running Man by Richard Bachman: Sure, the movie had Schwarzenegger but it
also had Hunters that looked straight out of a Toys R’ Us action figure aisle.
The book by Stephen King’s angrier alter ego is a much more boiled-down bit of
dystopia, featuring Ben Richards, a man at the end of his financial rope who
submits to be part of The Running Man
series, where he is hunted while a studio audience and viewers at home are
watching. The movie amps up the game show feel, particularly with Family Feud’s Richard Dawson as showrunner
Killian, the host, but the book is a more pointed commentary on social
inequality and how the human race is more likely to allow suffering if that
suffering is entertaining. Think of the last time you watched a video of
skateboarding kids wiping out on the hard concrete or people “Ghost Riding the
Whip,” only to have the cars they were supposed to be driving go out of
control, and you can see that the themes in this story are still all too
relevant.
1) Throttle
by Joe Hill and Stephen King: I discovered this homage to the novella “Duel” in
He Is Legend, an anthology of stories
honoring one of the pioneers of fantastic fiction Richard Matheson. Regardless
of your feelings about remakes and remakes of remakes, Hill and King capture
what made Matheson’s “Duel” such a classic of slow-building tension that soon
feels like it’s careening downhill to an explosive conclusion. Sure, this
father-and-son homage involves bikers, and there’s also a father-son dynamic
between Vince, leader of the motorcycle club The Tribe, and his upstart son
Race. But what’s kept at the
piston-pumping heart of this tale is the relentless semi-truck that barrels
down on the bikers like an avalanche of Detroit steel and the dynamic battle of
wits and of wills between Vince and the trucker, the singular mind in charge of
an 18-wheeled weapon. Be on the lookout for this one in Joe Hill’s upcoming
collection Full Throttle.
No comments:
Post a Comment