There was a time not long ago where detective shows ruled
the airwaves. Whether it was the multitude of Law and Orders, everything from the classic to Criminal Intent, or CSI shows
in every major city, going back to Starsky
and Hutch and even Dragnet, law
enforcement has always played well into the heroic archetype. The office in
question may be a seasoned veteran who was not too old for this sh** or a
fresh-faced rookie eager to prove themselves, but they risked everything to
protect the public from the criminals that lurked just outside our vantage
point. When involving horror and the supernatural, those evil forces go far
beyond masked men or mob bosses in business suits into something truly
malevolent, out to maim and murder in the most visceral way possible. J.H.
Moncrieff’s newest Those Who Came Before
borrows heavily from this hero cop archetype, but also adds its own flourishes
that help it stand out from the stories that came before.
Detective Maria Greyeyes has seen a lot of disturbing things
in her tenure as a homicide detective, but her most disturbing comes with the
gory remains at the Strong Lake Campground where three campers met their grisly
end and Reese Wallace, the only camper to survive, claims to have no memory of
what happened. Those familiar with the cop archetype are familiar with the
strain the job places on her marriage and family, but the case also tests the
limits of her sanity, especially as whatever supernatural forces in that
campground comes after Sarah. Just like Law
and Order, this story benefits from multiple perspectives. Greyeyes is
chasing down leads even as those leads take her into darker places while Reese
is trying to come to terms with his own survivor’s guilt and basically being
the only suspect in the case.
Along with multiple viewpoints, the novel gives us a
narrative that borrows from historical fiction and perhaps showcases an
overarching theme to the story. Along with the present day mystery narrative, the
book goes into the past to show how a meeting between the indigenous people and
white settlers has left a stain of evil upon this land. This narrative clearly depicts
many of the settlers as the villains (with some historical accuracy), but the
acts done by the natives in retaliation are what curses the campground for
generations. Readers see how this evil created by blind hatred and revenge
still permeates enough to be felt by Maria and Reese, even influencing their
actions in the present. In many books about cursed places, much like this one,
there is the theme of not necessarily evil spirits staining a place but evil
acts that live beyond the people that perpetrated them. Maria in particular has
the power to break the cycle, but readers will have to read the book to find
out if she can.
Ultimately, this tale is a blend of different genres that,
far from being a haphazard mishmash, tells an intriguing story about the
permanence of evil and our need to be vigilant against it. Fans of mysteries,
of historical fiction, of Native American mysticism, and of visceral horror will
find this book has many different ways to sink its claws into them.
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