Bill Paxton's Severen looks like me eating hot wings. |
Near Dark, acclaimed director Kathryn Bigelow's best kept secret of a vampire movie, stars Adrian Pasdar as Caleb Colton, a nice guy cowboy who falls for drifter Mae. Mae (Jenny Wright) has a secret, however, and all it takes is one bite before Caleb is indoctrinated into her vampire family, including patriarch Jesse Hooker (Lance Henriksen) and scene-chewer Severen (Bill "Game Over, Man" Paxton). The family takes Caleb in, even taking him out to dinner. Of course, dinner involves starting and subsequently consuming bloodbath
at a local bar. Not partaking, Caleb still holds onto his humanity, even as he tries to both
save his younger sister and help his new girlfriend as the family comes looking for
them. Long before Twilight, Caleb and Mae exemplified a vampire romance and all the internal conflict and bodily bloodshed it entails, especially as both young lovers try to quell their murderous urges.
Travis Stillwell, the protagonist of Davidson’s novel, knows
something about fighting these urges, but he is also no stranger to killing.
Not only is he a Vietnam veteran whose seen his fair share of death, he’s brought
it to many young girls throughout Texas. He is given eternal life by Rue, a
vampire who shares her blood with him and insinuates herself into his existence. Rather than use his vampiric abilities to sate his hunger with the blood of young women, he focuses on one family, a
single mother and her son. Near Dark is horror, but it also has a few action
movie moments, like a Terminator moment involving a semi-truck. It moves
quickly from one scene to the next while In the Valley of the Sun focuses on Travis, the
mother, and the Texas Ranger trying to stop him, fleshing out these characters
while drawing them closer until the understated Western-like showdown that serves as the novel's climax. Near Dark features flaming vampires in the sun while In the Valley
of the Sun features people and vampires exploding with unrequited passions.
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