Have You Read This? Your Body Is Not Your Body edited by Alex Woodroe and Matt Blairstone

 

As a genre relying on generating a particular emotion within its audience, horror can be both universal and very personal. Horror can often touch on universal fears, such as the fear of death, but it can also be used to discuss the personal fears of the author, including fears of being attacked simply for being who they are. Often, these kinds of stories aren’t so much a whimper of submission as they are a cry of rage. Such stories are included in Your Body is Not Your Body, an anthology of weird fiction featuring authors from the Trans/Gender Nonconforming community. 

Editors Alex Woodroe and Matt Blairstone have compiled stories that definitely put the weird in weird fiction. Take, for example, a medieval monk whose body is transformed by a different kind of possession. And if such a tale is too tame, there are stories featuring living weapons, transcendental massages, haunted telephones, and a story from rising star like Hailey Piper about women exploding. Many of the stories in this collection focus on all the ways that a human body can become twisted into something unimaginable, both beautiful and horrifying. The weird in this fiction anthology is definitely the gloriously great kind of weird. 

Anthologies such as this serve not only as an introduction to the various authors who are presented in this book, but books like this one also introduce readers to weird fiction. There are no gothic castles or classic monsters here; the horrors presented in this book are from not only one’s body becoming unrecognizable, but the world they live in becoming hostile, which is what many transgender and gender-nonconforming people are experiencing with the rash of anti-LGBTQ laws being ratified by various states. Horror is supposed to create a fear response, but horror, of all kinds and especially the stories in this book, rely on creating feelings of empathy for the protagonists in these stories. 

Graphic Content: Phantom Road Vol. 1 by Jeff Lemire and Gabriel Hernández Walta

 

Jeff Lemire likes to be weird, and the graphic novel medium is the perfect genre to explore that weirdness. Lemire typically doesn’t tell a brief but powerful story; rather, he slowly introduces spooky elements and lets his readers bask in the uncertainty and their own fear. This time avoiding black barns, Lemire takes to the open road and the worlds where those roads lead in his newest series Phantom Road.

Volume 1 of Phantom Road introduces its main characters. Dom is a long-haul trucker who drives so he doesn’t have to think about the mess his life has become. He comes across a young woman named Birdie as she crawls from the wreckage of an accident. Among that wreckage is a strange artifact that attaches itself to both Birdie and Dom. Now, the two are not only thrust together but they must transport this artifact across America and through a world that is full of monsters.

The tagline of this book is “Mad Max: Fury Road meets The Sandman,” and its aesthetic blends both fictional universes. Gabriel Hernández Walta’s art adds the Mad Max element, and not just when he designs the desolate desert scenery, both in the real world and the other world. Dom’s appearance, especially when wielding a crowbar, is just one leather/armor cosplay combo away from Mad Max’s signature look. Walta also adds the Sandman elements that inform the design of the monsters, or lack of designs. Their faceless, vaguely humanoid forms are off-putting and alien enough to make readers uneasy, and uneasiness is where writer Lemire likes to leave his readers.

Much like Gideon Falls, Lemire begins this story with less information and more atmosphere. Even the truck stop with the far-from-lovable bear mascot adds to the unreal setting of the book. This first volume should leave readers wondering how and why the artifact is leading Dom and Birdie on a quest but intrigued enough to read further volumes and find the story breadcrumbs Lemire will leave.

Graphic Content: Lamentation by Cullen Bunn and Arjuna Sisini

 One of my favorite writers of horror comics is Cullen Bunn. He’s written for superheroes like the X-Men and Deadpool, but I discovered his work on Harrow County, a book full of folk horror and gruesome haints that happens to be one of my favorite graphic novels. I have checked out his other horror titles and there hasn’t, in my mind, been one that rivals Harrow County. However, Bunn is guaranteed to never be boring or rest on his folk horror laurels. As a writer, he’s always experimenting with horror and graphic storytelling, and one of his more experimental titles is the book Lamentation, illustrated by Arjuna Susini.

Lamentation invites readers to the Requiem Theater, where rehearsals are underway for a performance of Radize’s Lament, a three-act tale of Gothic horror that follows three sisters who seek refuge in a shadowy castle. It could also be Jenifer’s big break, considering she just got the role without even having to audition, but this play is more than just a story of gloomy castles and stormy nights. The story seems to be constantly changing, the director has few answers for Jenifer, and reality itself feels a little suspect. As opening night approaches, the shadow of Radize’s Lament threatens to swallow all involved.

Many have compared Bunn’s story to In the Mouth of Madness and its metafictive approach certainly makes such a comparison apt. Lamentation, however, sticks to a parallel narrative structuring that has readers moving from the story in the play to the story of the performers, seeing the story and getting glimpses behind the curtain. The narrative switches quickly from play with its Gothic spires and haunting figures to performers at a seemingly regular theater, but Susini keeps a consistent quality in both worlds, especially as the boundaries between those worlds fray. Much like Madness, the narrative makes the reader see the horror of being in a story where one can’t control the outcome because the story is already written. The premise alone could trip up readers who aren’t paying close attention, but Bunn is like Willy Wonka on the boat ride, perfectly content to let a few people fall off the boat if the rest of the passengers are terrified.

 

Have You Read This? A Light Most Hateful by Hailey Piper

 

The drive-in is a vanishing part of the cultural landscape, which is rather sad considering the myriad and delightful horrors that once graced their screens. Many people have fond memories of the drive-in, even those who haven’t watched horror movies, but for horror fans, the drive-in conjures thoughts of monsters from the stars like the ones from Joe Lansdale’s magnum opus The Drive-In. It’s fitting, then, that Hailey Piper begins her latest book A Light Most Hateful at a drive-in on the night of a reality-rending storm, but Piper also takes the concept to some original and terrifying places.

This journey into the frightfully fantastic begins in the small town of Chapel Hill, Pennsylvania where Olivia lives after running away from home. She has managed to eke out a life while she deals with small-town boredom and an unrequited crush on her best friend Sunflower. Then a summer storm shows up, bringing more than just thunder and lightning. This storm brings with it the power to bend the will of the people of Chapel Hill to an otherworldly intelligence, even as it transforms the landscape. Olivia now tries to survive the night and rescue Sunflower before the storm and the being it serves wipes Chapel Hill off the map.

This tale’s beginning in the drive-in and what happens to people after the storm approaches makes it feel like a by-the-book but still enjoyable monster movie that would entertain the late night drive-in crowd, but Piper has always excelled at taking her fiction in new and exciting directions that subvert her audience’s expectations. Rather than a simple tale of running and more running from a mob of brainwashed humanity, Piper has crafted a tale that explores the power and limits of friendship, exploring both the bonds that strengthen us and those that hold us back. Without revealing too much of the twist that brilliantly transforms the book as much as an unnatural storm, Piper also explores concepts of identity and the connective threads that are so tenuous yet somehow manage to hold us together. Come for the pseudo-zombies, but stay for the high-concept, mind-bending story.

Graphic Content: Dead Mall by Adam Cesare and David Stoll

 For many adults, the mall was a distinct part of their childhood, whether as a hangout, a place to eat, or the place to get the latest Third Eye Blind CD or Stephen King novel. But the mall has fallen on hard times. More and more of these monuments of consumerism have become empty, derelict, and simply waiting on nature or a well-placed wrecking ball to end its misery. Such a structure makes it the perfect place where something malevolent can haunt and can hunt souls who simply want their heart’s desire. The Penn Mills Galleria from Adam Cesare’s and David Stoll’s Dead Mall is such a place.

The galleria has long been abandoned and is about to be demolished. Before the wrecking ball wipes it off the face of the earth, five teens decide to break in and see the empty stores before they’re gone forever. The galleria might have been dormant, but it’s still hungry for souls. These five teens must resist the siren call of the mall if they are to survive the night. The mall promises to give you just the product to fill the hole inside you, but that price will be very high indeed.

People might remember Adam Cesare as the twisted mind behind Clown in a Cornfield and its sequel, and he definitely brings that madcap kind of horror to Dead Mall, where the story is told by the titular mall who is not sorry that it must consume its patrons like they were Auntie Anne’s pretzels. Like in Cornfield, he takes the trouble of creating fleshed-out teen characters with their own wants and desires, then pushes them into the wood chipper–the chipper in this case being a mall that transforms its victims based on where they decide to shop within the mall (“shop” might be a misnomer since no money’s exchanged, but the mall’s victims pay the price with their humanity).

Stoll’s illustrations bring the mall’s victims to life in grisly detail, adding a touch of irony to their designs, such as a 50’s looking housewife who seems to have a doughy face (HALF HER FACE appears made out of dough). Stoll, however, shows some real cosmic horror chops as the teens descend into the mall’s depths and see all its fleshy insides and Cthulhu-inspired decor. Fans of the Hellraiser movie series (especially part 3, which had a man shoot razor-sharp CDs at people) will love the artwork here.

Overall, the book is great for fans of Cesare’s writing and of gutbucket body horror that skews ironic.

 

Graphic Content: Boys' Weekend by Mattie Lubchansky

 

One of the sad facts about growing up is growing away from what you once knew, perhaps even loved. That especially includes friendships, Where you once thought that your best friend would be a part of your life forever, now you find you both have drifted away from each other. The truly sad thing is that the blame does not rest on the shoulders of one person. People, as they grow, get new interests, gain new ways to think about the world, or they might even decide what they once appeared as wasn’t really them. This conflict between drifting apart and staying together, along with a strange cult, is what turns the bachelor party in Mattie Lubchansky’s Boys’ Weekend a literal bachelor party from Hell (or at least Hell adjacent).

Newly-out trans art assistant Sammie is living their best life in New York until their best friend Adam asks Sammie to be the “best man” for his wedding. Sammie meets up with Adam’s groomsmen at El Campo, a bizarre mix of Las Vegas and Atlantis that has few rules since they are in international waters. Not only does Samme have to endure the awkward situations that the other men subject them to, but there’s apparently a cult that has no compunctions about human sacrifice or summoning their god to this realm.

Lubchansky’s artstyle, and the book’s overall tone, isn’t for those looking for a straight-laced Lovecraftian nightmare; those that are would be missing the point. Many of the book’s terrors come from Sammie trying their best to fit in and be subsequently rejected, all while supposed “nice guy” Adam lets it happen. The conflict with the cult is actually secondary to Sammie’s conflict with Adam’s passive-aggressive friends and Sammie’s own desire to live as they want. The book even ends on a touching note that no amount of sea water could drown and should resonate for those, trans and not trans, who are not allowed to live as their authentic selves.

New Arrival: Everything the Darkness Eats by Eric LaRocca

 

Eric LaRocca is an author that diehard horror fans have recently discovered. He has written such unnerving works as Things Have Gotten Worse Since We Last Spoke and You’ve Lost a Lot of Blood. LaRocca has recently spread his light-absorbing wings, creating his first novel length work called Everything the Darkness Eats, a work that threatens to put all of us under its oppressive shadow.

That shadow rises from the depths of Henley’s Edge, a small Connecticut town, with anger and bigotry boiling beneath its veneer of Americana. This is where eccentric older gentleman Heart Crowley drives around in his Rolls Royce looking for victims to help with his occult rituals. Another local from Henley’s Edge is Ghost, a young man reeling from personal loss and a little spirit that feeds off his misery. The two men meet just as police officer Malik tries to solve the town’s rash of disappearances and Crowley’s dark deeds start to come to fruition. Malik might be in over his head because what Crowley has in his basement could destroy Henley’s Edge and the universe that exists beyond it.

Those who’ve seen John Carpenter’s In the Mouth of Madness might find a lot of things similar in Henley’s Edge, particularly the cosmic horror brewing underneath. Ghost and Heart are delightfully and expectedly weird, but the real terrors come with officer Malik and his husband bearing the brunt of the town’s simmering prejudice, first as scare tactics and then slowly but surely upping the brutality, culminating in an assault that will leave readers gasping. LaRocca’s story is a blend of otherworldly horrors and all-too-familiar ones, particularly if one watches current events. Overall, this story feels like a collaboration between Stephen King and Clive Barker if they were 30 years younger, but it still has all the bloody flourishes that marks it as straight from the brain of Eric LaRocca.