New Arrival: The Garden of Bewitchment by Catherine Cavendish

As an undergraduate English major, I was introduced to many books that I otherwise would not have read. Even if I didn't really appreciate reading them at the time, the same way kids don't always appreciate the green vegetables they were forced to consume, I find that I am still a better writer and better librarian for it. This is especially true upon discovering Gothic classics like Wuthering Heights or Wieland, Or, The Transformation, or the expanded universe of Poe's writings beyond "The Tell-Tale Heart." I discovered these stories and still remember them fondly. In reading Catherine Cavendish's The Garden of Bewitchment, it was like a trip back to when I first discovered these stories and what made them special.
The story is set up like many Gothic page-turners: in 1893, two sisters Claire and Evelyn Wainwright have moved to a quiet cottage on the English countryside, but a mysterious game is waiting for them, a magical game called the Garden of Bewitchment. The game allows you to make your own garden, complete with house and with little cardboard people inside, but there are also things waiting for Claire and Evelyn in the house, and in the garden. What is waiting for them wants the sisters to stay awhile, possibly forever.
More fun than downright terrifying, this book often feels like a kitchen sink of Gothic and horror conventions, everything from mysterious but genial stranger Matthew Dixon to Bramwell Bronte, a specter who is also Claire's paramour, but these differing elements, from fantastical board games to serpentine Old World gods, come together in a fun and lively way. Even the sisters' love of Bronte's literature and their own writing endeavors show that Cavendish is well-versed in Gothic horror and doesn't mind addressing it in an almost meta way. Fans of classic stories from Poe, Hawthorne, Lovecraft, and Bronte, whether or not they discovered these writers in a college-level English course, will find something to love in this garden, which Catherine Cavendish has planted with an evident love for Gothic literature.